A

22 colors
Acajou swatch — solid #4C2F27

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Acajou

RGB76, 47, 39 HSL13°, 32%, 23%

French for mahogany. A deep red-brown of polished cabinet wood, in continuous use as a French color name since at least the 18th century.

Origin From Tupi-Guarani acaiú (a name for the cashew tree), borrowed into Portuguese as acaju by 16th-century European traders in Brazil and into French as acajou. In French, the term came to denote both the cashew tree and tropical hardwoods of similar reddish-brown color. The English word mahogany reached the language by a separate Caribbean route; both terms describe the same warm reddish-brown of polished hardwood.

Famous Uses A signature color of fine French cabinetwork (ébénisterie) from the 18th century onward, when mahogany veneer became increasingly fashionable in Europe. The name persists today in furniture, cosmetics, and hairdressing vocabulary, where "acajou" is a standard descriptor for warm reddish-brown brunette tones.

Decorator’s Note A grounding mid-tone that often suits Mid-century Modern and traditional rooms equally. Even one acajou piece (a console, a leather chair) can anchor a room. Frequently paired with cream walls and brass fittings; in cool-toned modernist spaces its warmth can read as out of place.

Accessible Beige swatch — solid #D1C7B8

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Accessible Beige

RGB209, 199, 184 HSL36°, 21%, 77%

Sherwin-Williams SW 7036 — listed among the company's top neutral colors and one of the most-painted neutrals in modern American interiors.

Origin A 21st-century Sherwin-Williams paint-trade coinage. The "accessible" framing is often interpreted as a reaction both to the heavy, yellow "builder beiges" of the 1990s and to the cool, gray-leaning interior palettes that dominated much of the 2010s.

Famous Uses A staple of contemporary American interior design and staging. Listed by Sherwin-Williams in their top neutral paint colors; widely cited in design publications and design-blog reviews as a leading "greige" choice for whole-house schemes during the 2020s pivot back toward warmer neutrals.

Decorator’s Note A "greige" with subtle warm undertones (LRV around 57.7, RGB 209, 199, 184) — often described as reading calmly beige in daylight and slightly cooler under LED lighting. In west-facing rooms at sunset it can pick up a slightly purple cast; in north-facing rooms it can read flat. Often paired with crisp white trim (e.g. Sherwin-Williams Pure White or Extra White) to keep the warmth from overwhelming.

Pairs Well With Versatile — often used alongside warm whites, soft blacks, dusty blues, and earthy greens. A frequent pairing partner is Sherwin-Williams Evergreen Fog (SW 9130) as an accent. Cool-toned grays alongside it tend to flatten its warmth.

Cultural Meaning Among American homeowners, has become shorthand for a "safe but not boring" warm neutral — a frequent choice when a finished-looking room is wanted without committing to a strong color personality.

Acorn Brown swatch — solid #987656

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Acorn Brown

RGB152, 118, 86 HSL29°, 28%, 47%

A warm mid-brown named for the polished cap of an oak acorn.

Origin A descriptive English compound — acorn from Old English æcern ("nut, oak-mast", related etymologically to acre via a Proto-Germanic root meaning "fruit of the open land") plus the color. The acorn association evokes both autumn and the polished surface of the oak nut's cap.

Decorator’s Note A reliable mid-brown for furniture, leather, and fabric upholstery. Reads warmer than walnut and lighter than mahogany — often used as a "default brown" that flatters most other colors. Frequently effective as a leather chair against a sage-green or ivory wall.

Pairs Well With Often paired with cream, sage green, brushed brass, and burgundy. For a fresher palette, with crisp white and dusty blue. Cool grays alongside it tend to sap acorn brown of its warmth.

Aged Copper Brown swatch — solid #A8723F

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Aged Copper Brown

RGB168, 114, 63 HSL29°, 45%, 45%

The ruddy patina of weathered copper before it greens — a color caught between metal and rust.

Origin A descriptive 20th-century paint-trade name. Copper exposed to atmosphere first dulls to this warm orange-brown before progressing through deeper browns and eventually to the green verdigris (basic copper carbonate and related compounds) familiar from old roofs and statuary.

Decorator’s Note A natural pairing with terracotta, stone, and weathered wood. Often used for accent walls, leather upholstery, and metallic finishes in rustic or industrial-leaning interiors. In strong cool light it can read as muddy.

Almond swatch — solid #EED9C4

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Almond

RGB238, 217, 196 HSL30°, 55%, 85%

A creamy beige named for the inner kernel of the almond. A staple neutral that appliance manufacturers and other trades adopted heavily in the late 20th century — "almond" remains a recognisable color code for white-goods finishes.

Almond (Bright) swatch — solid #EFDECD

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Almond (Bright)

RGB239, 222, 205 HSL30°, 52%, 87%

A slightly warmer, peachier almond — closer to the toasted-skin hue than to the unblanched kernel.

Almond Buff swatch — solid #EED9B6

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Almond Buff

RGB238, 217, 182 HSL38°, 62%, 82%

A sandier, more golden almond. Long used as a fabric and leather-finish description.

Almond Frost swatch — solid #9A8678

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Almond Frost

RGB154, 134, 120 HSL25°, 14%, 54%

A muted, dusty taupe — almond brown cooled by gray, as if frost had settled on the nut.

American Brown swatch — solid #804040

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American Brown

RGB128, 64, 64 HSL0°, 33%, 38%

A reddish-brown earth tone cataloged among 20th-century American color-name compendia. Sometimes described as a leather or stained-wood shade.

Antique Bronze swatch — solid #665D1E

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Antique Bronze

RGB102, 93, 30 HSL53°, 55%, 26%

A dark, olive-tinged metallic — the patina of bronze artifacts buried for centuries before excavation.

Antique Copper swatch — solid #C46B16

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Antique Copper

RGB196, 107, 22 HSL29°, 80%, 43%

A burnished, ruddy copper — the surface of a kitchen pot used for two generations.

Antique Taupe swatch — solid #877966

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Antique Taupe

RGB135, 121, 102 HSL35°, 14%, 46%

A warm, slightly green taupe — the dust-brown of vintage suit linings.

Apricot Tan swatch — solid #C0855E

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Apricot Tan

RGB192, 133, 94 HSL24°, 44%, 56%

A toasty, sun-baked apricot-brown — the underside of an apricot drying in the sun.

Apricot Tan (Light) swatch — solid #DD9760

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Apricot Tan (Light)

RGB221, 151, 96 HSL26°, 65%, 62%

A lighter face of apricot tan — closer to caramel than to crust.

Arabesque swatch — solid #A9573B

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Arabesque

RGB169, 87, 59 HSL15°, 48%, 45%

A warm, tile-patterned brown — the color of glazed pottery in the souks of Morocco and Andalusia.

Arabian Spice swatch — solid #92492A

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Arabian Spice

RGB146, 73, 42 HSL18°, 55%, 37%

A deep cinnamon-brown evoking the spice markets of Damascus and Aleppo.

Argan Oil swatch — solid #664B36

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Argan Oil

RGB102, 75, 54 HSL26°, 31%, 31%

A deep amber-brown — the color of cold-pressed Moroccan argan oil in a glass bottle.

Ash Brown (Warm) swatch — solid #A78D74

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Ash Brown (Warm)

RGB167, 141, 116 HSL29°, 22%, 55%

A lighter, warmer ash brown — closer to caramel than to charcoal.

Auburn swatch — solid #9A3001

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Auburn

RGB154, 48, 1 HSL18°, 99%, 30%

A reddish brown most familiar today as a hair color. The English word came from Old French auborne / alborne, ultimately from the Latin alburnus ("off-white, blanched"). Its sense darkened over time in English use, possibly under the influence of misreading "a-" as "au-" in Middle English manuscripts and an associated drift toward chestnut and red-brown meanings.

Autumn Brown swatch — solid #643C20

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Autumn Brown

RGB100, 60, 32 HSL25°, 52%, 26%

A deep cocoa-brown — the color of damp leaf-litter on a forest floor.

Autumn Maple swatch — solid #B7411E

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Autumn Maple

RGB183, 65, 30 HSL14°, 72%, 42%

A deeper, redder maple — the color of a leaf about to drop.

Azuki Iro swatch — solid #6F4B3E

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Azuki Iro

RGB111, 75, 62 HSL16°, 28%, 34%

小豆色 — literally "azuki-bean color" in Japanese. The dusky, slightly maroon brown of cooked azuki (red beans), the staple ingredient of anko, the sweet bean paste used in countless varieties of Japanese wagashi confectionery.

B

34 colors
Baby Poo swatch — solid #AB9004

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Baby Poo

RGB171, 144, 4 HSL50°, 95%, 34%

A muddy yellow-brown — the unofficial palette name for the unsightly hue of infant stool, which can appear in mustard-yellow to olive-brown depending on diet.

Baby Poop swatch — solid #937C00

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Baby Poop

RGB147, 124, 0 HSL51°, 100%, 29%

A slightly darker, more olive variant of 'baby poo' — a humorous palette name often deployed to describe accidentally unappealing institutional yellows.

Baby Shit Brown swatch — solid #AD900D

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Baby Shit Brown

RGB173, 144, 13 HSL49°, 86%, 36%

A muddy mustard-brown — palette humor in the same vein as 'baby poo' colors, used disparagingly to describe institutional or fast-food chain wall colors.

Baiko Brown swatch — solid #857C55

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Baiko Brown

RGB133, 124, 85 HSL49°, 22%, 43%

A traditional Japanese color — Baikōcha (梅幸茶), a muted yellow-brown / olive-brown. Named after the kabuki actor lineage Onoe Baikō, with cha (茶) meaning "tea"; the color evokes the soft hue of a tea-stained robe.

Origin From Japanese 梅幸茶 (Baikōcha), literally "Baikō's tea." Many traditional Japanese color names from the Edo period (1603–1868) were attached to specific kabuki actors' signature costume colors, then entered the broader color vocabulary. Onoe Baikō is a hereditary stage name in the Onoe acting family.

Beaver swatch — solid #9F8170

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Beaver

RGB159, 129, 112 HSL22°, 20%, 53%

A Crayola color (added 1998) — a desaturated tan-brown named for the fur of the North American beaver (Castor canadensis).

Famous Uses Part of Crayola's animal-themed color series introduced in the late 1990s; sits alongside Wolf Gray, Tumbleweed, and Antique Brass.

Beige swatch — solid #F5F5DC

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Beige

RGB245, 245, 220 HSL60°, 56%, 91%

A CSS named color (W3C/X11). A soft warm grayish-yellow — the original French word means 'natural undyed wool'. The neutral baseline against which most other warm neutrals are described.

Origin From French beige, originally referring to the natural color of undyed sheep's wool. Entered English fashion vocabulary in the mid-19th century. As a web color, beige is a CSS named color inherited from the extended X11/SVG color-name tradition (formalized in CSS Color Level 3 / SVG 1.0); it is not one of the original 16 basic HTML named colors.

Famous Uses One of the most-used colors in 20th-century interior design and corporate branding. Pantone has hundreds of 'beige' variants; the color reads as safe, neutral, and inoffensive — which has also made it a punchline for blandness.

Decorator’s Note A workhorse wall and floor color, particularly in living rooms and bedrooms. Reads warmer than gray, cooler than cream. Often the default 'neutral' against which accent colors are chosen.

Pairs Well With Works with virtually anything; classic alongside white, brown, and forest green. For a more contemporary palette, with charcoal and a saturated accent (mustard, teal, or coral).

Cultural Meaning In contemporary design vocabulary, often shorthand for 'safe', 'corporate', or 'unimaginative'. The phrase 'beige cubicle' captures a specific midcentury-office aesthetic. Simultaneously experiencing rehabilitation in 2020s minimalist and 'quiet luxury' interiors.

Bistre swatch — solid #3D2B1F

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Bistre

RGB61, 43, 31 HSL24°, 33%, 18%

A dark, transparent yellow-brown pigment made from the soot of beechwood — used by Old Master draftsmen including Rembrandt, Claude Lorrain, and Fra Bartolommeo for ink-wash drawings.

Origin From French bistre, of uncertain origin (possibly from bis, meaning grayish-brown). The pigment was made by collecting beechwood soot, dissolving it in water, and using the result as transparent brown ink. Distinct from sepia, which comes from cuttlefish.

Famous Uses Widely used in 17th-century European ink-wash drawing, and traditionally associated with Old Master sketches including those of Rembrandt — although modern pigment analysis has shown that many of Rembrandt's "bistre" inks were actually iron gall, so the attribution varies work-by-work. Bistre was largely replaced by sepia and synthetic browns from the late 19th century onward.

Pairs Well With In drawing, traditionally paired with white paper and red chalk. As a paint or design color, works with cream and pale gold.

Bistre Brown swatch — solid #967117

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Bistre Brown

RGB150, 113, 23 HSL43°, 73%, 34%

A warmer, more yellow brown than classic bistre — a dark ochre with no hint of black. Per Wikipedia's color references, the same hex (#967117) is shared with the historical English color names "drab" (first recorded 1686), "sand dune" (1925), and "mode beige" (1928); "bistre brown" itself was first recorded as a color name in English in 1930.

Black Coffee swatch — solid #3B2F2F

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Black Coffee

RGB59, 47, 47 HSL0°, 11%, 21%

A deep, near-black brown with subtle warm undertones — the color of strong black coffee viewed from above. Slightly redder than black chocolate.

Blast Off Bronze swatch — solid #A57164

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Blast Off Bronze

RGB165, 113, 100 HSL12°, 27%, 52%

A Crayola metallic color — a deep warm bronze named for retro space-age rocket finishes.

Bole swatch — solid #79443B

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Bole

RGB121, 68, 59 HSL9°, 34%, 35%

A reddish-brown earth pigment named for the soft clay bole (sometimes 'Armenian bole'), traditionally used as a ground for gold leaf in icon painting and gilded altarpieces.

Origin From Latin bolus, a clay or earth. Bolus Armenus (Armenian bole) was widely traded as a pigment and a folk medicine through the medieval and early modern periods.

Famous Uses Used as the red preparatory ground for water-gilding in Byzantine and Italian Renaissance icon and altarpiece work — the warm bole-red shows through thin gold leaf, giving gilded surfaces their characteristic depth.

Brandy swatch — solid #87413F

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Brandy

RGB135, 65, 63 HSL2°, 36%, 39%

A warm copper-brown — the color of aged brandy or cognac held up to light. Used widely in furniture-finish and leather-goods catalogs.

Brick swatch — solid #A03623

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Brick

RGB160, 54, 35 HSL9°, 64%, 38%

A warm red-brown — the color of fired terracotta clay bricks, which has roofed and walled buildings worldwide since ancient times.

Bronze 1 swatch — solid #88540B

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Bronze 1

RGB136, 84, 11 HSL35°, 85%, 29%

A deep warm brown — the color of polished bronze (an alloy of copper and tin) after some patina.

Bronze 2 swatch — solid #A87900

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Bronze 2

RGB168, 121, 0 HSL43°, 100%, 33%

A warmer, more orange-leaning bronze — closer to fresh-polished bronze.

Bronze 3 swatch — solid #CD7F32

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Bronze 3

RGB205, 127, 50 HSL30°, 61%, 50%

A warm metallic brown — a common digital approximation of bronze (used on many color reference sites), sitting between brass and copper. Not itself a standardized CSS/X11 named color.

Origin From Italian bronzo, ultimately from Latin aes brundisium ('Brundisian copper', after Brindisi, an ancient bronze-working center). Bronze (copper + tin) has been worked since at least 3,300 BCE — the Bronze Age is named for it.

Bronze Metallic swatch — solid #B08D57

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Bronze Metallic

RGB176, 141, 87 HSL36°, 36%, 52%

A muted bronze with a slight gray cast — captures the matte aging of older bronze.

Brown 1 swatch — solid #964B00

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Brown 1

RGB150, 75, 0 HSL30°, 100%, 29%

A warm mid-brown — the color of milk chocolate or roasted coffee beans.

Brown 2 swatch — solid #993300

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Brown 2

RGB153, 51, 0 HSL20°, 100%, 30%

A deeper red-leaning brown — closer to mahogany.

Brown 3 swatch — solid #A52A2A

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Brown 3

RGB165, 42, 42 HSL0°, 59%, 41%

CSS named color brown (W3C/X11). A deep warm red-brown — slightly redder than most casual 'brown' associations.

Origin From Old English brūn, meaning shining or dark. The CSS named color brown entered the CSS standard via the extended X11/SVG color list (CSS Color Level 3); the specific hex (#A52A2A) was inherited from the X11 list and is actually closer to a brick-red than to typical mid-brown.

Famous Uses A CSS/W3C named color (in the extended X11/SVG set), but not one of the original 16 basic HTML color names. Despite the name, the hex is unusually red-leaning for what most users picture when they say 'brown'.

Brown 4 swatch — solid #AF593E

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Brown 4

RGB175, 89, 62 HSL14°, 48%, 46%

A russet brown with a slight orange lean — common in autumn-themed palettes.

Brown Chocolate swatch — solid #5F1933

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Brown Chocolate

RGB95, 25, 51 HSL338°, 58%, 24%

A deep purple-leaning chocolate brown — closer to dark milk-chocolate than to dark chocolate.

Brown Coffee swatch — solid #4A2C2A

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Brown Coffee

RGB74, 44, 42 HSL4°, 28%, 23%

A warm, near-black brown — the color of strong espresso. Slightly redder than black coffee.

Brown Sugar swatch — solid #AF6E4D

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Brown Sugar

RGB175, 110, 77 HSL20°, 39%, 49%

A warm caramel-brown — the color of light Demerara or unrefined cane sugar, before fully refined white sugar took over the mass market.

Famous Uses A popular paint name in modern interior palettes; used widely in cosmetics for warm-toned blush, eyeshadow, and lip products.

Decorator’s Note Works as a warm wall color in living rooms and bedrooms, particularly in homes with mid-century wood floors. Reads warmer than taupe, less yellow than tan.

Brown Yellow 2 swatch — solid #CC9966

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Brown Yellow 2

RGB204, 153, 102 HSL30°, 50%, 60%

A pale tan-brown — like the inside of a Demerara sugar cube under good light.

Buff 1 swatch — solid #F0DC82

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Buff 1

RGB240, 220, 130 HSL49°, 79%, 73%

A pale yellow-brown — the traditional 'buff' of leather-working: undyed, tanned cattle hide.

Buff 2 swatch — solid #FEF69E

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Buff 2

RGB254, 246, 158 HSL55°, 98%, 81%

A lighter, paler buff — closer to cream with a yellow tint.

Buff 3 swatch — solid #FFC680

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Buff 3

RGB255, 198, 128 HSL33°, 100%, 75%

A warm pale orange-tan — closer to apricot than to traditional buff.

Burnished Brown swatch — solid #A17A74

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Burnished Brown

RGB161, 122, 116 HSL8°, 19%, 54%

A Crayola color (added 1998) — a soft muted pink-brown evoking polished old leather or warm copper patina.

Burnt Siena swatch — solid #B75203

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Burnt Siena

RGB183, 82, 3 HSL26°, 97%, 36%

A warm red-brown — alternate spelling of burnt sienna; the heated form of the Italian earth pigment.

Burnt Sienna 1 swatch — solid #B04E0F

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Burnt Sienna 1

RGB176, 78, 15 HSL23°, 84%, 37%

A deep red-brown — the heated (calcined) form of raw sienna, an iron-rich earth pigment from the Tuscan town of Siena.

Burnt Sienna 2 swatch — solid #E97451

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Burnt Sienna 2

RGB233, 116, 81 HSL14°, 78%, 62%

A Crayola color — Burnt Sienna, commonly listed at #E97451. A warm, slightly bright red-brown captured as the cooked form of the natural earth pigment. Nominated for retirement in Crayola's 2003 "Save the Shade" campaign but saved by public vote and produced continuously since.

Origin Named for the city of Siena in Tuscany, where the iron-rich earth was historically quarried. 'Raw' sienna is a yellow-brown; heating it ('burning') drives off water and deepens it to red-brown.

Famous Uses Widely used in European painting since the Italian Renaissance, including by Caravaggio and the Bolognese school, and continuously since. Still produced commercially as both a natural earth pigment and a synthetic substitute.

Burnt Umber 1 swatch — solid #8A3324

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Burnt Umber 1

RGB138, 51, 36 HSL9°, 59%, 34%

A deep, near-black brown — the calcined (heated) form of raw umber, an iron- and manganese-rich earth pigment from Umbria, Italy.

Origin Named for the Italian region of Umbria, source of the natural earth. Raw umber is a cool olive-brown; burnt umber (heated to drive off water) becomes a much warmer, deeper chocolate-brown. The added manganese deepens the pigment beyond what raw sienna can achieve.

Famous Uses Widely used in European painting for shadows, grounds, and underpainting from the Renaissance onward — traditionally associated with the dark shadow tones of artists such as Caravaggio, Rembrandt, and the Dutch Golden Age painters.

Burnt Umber 2 swatch — solid #A0450E

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Burnt Umber 2

RGB160, 69, 14 HSL23°, 84%, 34%

A slightly more orange-leaning burnt umber — the brighter modern interpretation.

Browse colors by letter Visit a letter’s full index — not just its browns.

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Common Questions About Brown Shades

What is the difference between "brown", "beige", "tan", and "taupe"?

All four sit in the warm-neutral zone but at different points of saturation and luminance. Brown is the general family — any dark, low-to-mid saturation warm hue from chocolate through chestnut to mahogany. Tan is a light brown, traditionally the color of tanned leather (hence the name) — roughly #D2B48C in CSS — with a yellow-orange undertone. Beige is paler still and less saturated than tan, a soft warm gray-yellow around #F5F5DC — the French word literally means "natural undyed wool". Taupe is a gray-brown around #8B7E74 — from the French taupe ("mole"), after the rodent's fur. The rough hierarchy: brown (any depth, any warmth) → tan (light, yellow-brown) → beige (very pale, soft warm gray) → taupe (medium, gray-brown).

What do "umber", "sienna", "ochre", "sepia", and "bistre" actually mean?

These are historical pigment names that still carry forward in fine-art and paint vocabulary. Ochre is the oldest — a naturally pigmented clay used in cave paintings 40,000+ years ago, ranging from yellow ochre to red ochre depending on iron-oxide content. Sienna takes its name from Siena, Italy, where the iron-rich earth was historically quarried; "raw sienna" is a warm yellow-brown, "burnt sienna" (heated to drive off water) is a deeper red-brown. Umber, from Umbria in central Italy, is similarly a natural earth pigment but with added manganese which deepens it further; "raw umber" is a cool olive-brown, "burnt umber" is a rich chocolate brown. Sepia is the dark brown ink originally extracted from cuttlefish (Sepia officinalis), used for writing and drawing since classical antiquity. Bistre is a transparent yellow-brown made from soot, popular with old-master draughtsmen including Rembrandt.

What is the difference between a "warm brown" and a "cool brown"?

A brown is warm when its undertone leans toward red, orange or yellow — the family including Acajou (mahogany), Auburn, Autumn Brown, Arabian Spice, Apricot Tan, and most chocolates and coffees. A brown is cool when its undertone leans toward gray, green or violet — the family including Antique Taupe, Almond Frost, mushroom and stone browns, and certain olive-leaning umbers. The distinction matters in interiors and fashion: warm browns sit beside warm woods, brass and rust; cool browns sit beside gray stone, brushed nickel, and slate-blue. Side by side, a warm brown next to a cool brown reads almost like orange next to gray.

Is brown actually a color? Or is it "dark orange"?

Brown is real to human perception but unusual in physics: there is no single wavelength of light that looks brown. Brown is what happens when a dark or low-intensity orange or red-orange is seen in context — typically beside brighter colors that anchor the visual system's sense of "how bright this scene is". Show someone a patch of pure orange on a black background and they see orange; dim that same orange and place it on a bright background and they see brown. This is called relational color perception, and brown is the most famous example. So in a technical sense brown is dark/dim orange — but as a perceived color it is its own distinct family, with its own naming traditions, cultural associations, and emotional weight.

Why does brown carry such strong associations with luxury, comfort, and the earth?

Brown is the color of the materials humans have shaped for shelter, comfort and ritual the longest: wood, leather, fur, soil, coffee, chocolate, bread, malt, tobacco, parchment. Across cultures the color reads as grounded and material — the opposite of the artificial brightness of saturated reds, blues and yellows. Luxury branding leans on this constantly: cognac leather, walnut dashboards, espresso porcelain, chocolate-box typography. Interior design uses warm browns to signal "lived-in" and "heirloom" rather than "new and bright". Even the negative associations — drab, dull, plain — are about the absence of stimulation, which in the right context flips back to virtue (calm, restraint, taste).

Are these hex codes standardized?

For CSS-named colors (Brown, Tan, Beige, Sandy Brown, Saddle Brown), yes — the W3C specification fixes the exact sRGB values. For Pantone, RAL, and brand-named paints, the underlying color is defined by a physical reference and the hex values shown here are the most widely-cited public conversions, which may differ between sources by a few digits. For historical pigment and material names — Umber, Sienna, Ochre, Sepia, Bistre, Acajou, Auburn, Azuki Iro — there is no single authoritative hex, and values shown represent the consensus of named-color references. Treat them as faithful approximations rather than absolutes.


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